syncopated.

Saturday, September 30, 2006
gravitational force = GMm/r^2
does it really matter to me.

today is the first time i've ever stayed home the whole day for study.

the end product is that i've grasped gravitation and momentum. which is significant.

Strummed at 9:37 PM (x)
Tuesday, September 26, 2006
200 km/h in the wrong lane
on this 'thru train'
hurtling down the tracks
drove through ghosts to get here
at this velocity.

reminds me of that album name
'200 km/h in the wrong lane'.

be nice.

Strummed at 8:29 PM (x)
Thursday, September 21, 2006
you're pitiful
you're pitiful. it's true.

i don't understand whats with keeping an account with friendster, bebo, 'tagged', all these online programs to supposedly keep you connected with your friends. maybe it's only cuz i'm too busy to keep up with these things to realise what i'm missing. other than that, they keep sending messages to my email, harrassing me to keep updating my profile, to keep in touch with my friends, to keep tagging/give testimonials on their profiles. and once you've decided to activate an account, they'll keep it going and ask you to invite all the people on your address list.

i only joined tagged cuz i admire you.

you are measured by the friends you keep? certainly not if it refers to the hundreds of 2nd, 3rd degree pals online.

so if you do happen to stumble upon my horribly neglected profile anywhere, do have the sense to realise that i'm not usually around to notify the internet world of my existence.

as for now it's up to me to keep plugging away.

lock away the good result. - brett beyer

Strummed at 8:55 PM (x)
Sunday, September 17, 2006
gg no rm
wow ok there's this game out there that i'm sure nobody has ever heard of it's called DOTA and OMG it's sooooooo freaking fun i play it every day and i dream of it every night heck i even talk about it every hour even though no one understands me cuz i've memorised all the different heroes and items and recipes and oh and i know what each one does and i know how to OWN everyone else even better is hearing "TRIPLE-KILL" and "UNSTOPPABLE" over and over again just cuz i'm so imba like OMFG WTH i'm just so BEYOND GODLIKE at this game shit!! i can't stand it.

Strummed at 10:46 PM (x)
studying overseas; weiling's departure
on thursday a couple of old acs boys paid our 5.6 a visit. they came to talk about studying overseas, globalisation and the singapore identity. they weren't very entertaining (other than the fact that one of them was rather feminine), but thats beside the point.

i used to think going overseas was out of the question. lately i've taken it to be a possibility. the last few days i've actually found myself dreaming about it.

for some reason i imagined cycling down to the sea for a sailing session after a short day of school. then out of the blue i just told dad how cool it might be to study in new zealand. milford sound university.

the evidence shows i'm not the only one thinking astray. more than a few people in our level have already disappeared, most recently weiling. i was never really close to her, but her departure has left me with many more thoughts to consider.

so i guess this song is for you.

Everything is open
Nothing is set in stone
Rivers turn to oceans
Oceans tide you home
Home is where the heart is
But your heart had to roam
Drifting over bridges
Never to return
Watching bridges burn

Everywhere there's trouble
Nowhere's safe to go
Pushes turn to shovels
Shovelling the snow
Frozen you have chosen
The path you wish to go
Drifting now forever
And forever more
Until you reach your shore

So I'm sorry
That you've turned to driftwood
But you've been drifting for a long, long time

Strummed at 9:51 PM (x)
Friday, September 15, 2006
tom slingsby's playground

introducing... tom slingsby's playground.

poor maxi.



Strummed at 11:52 PM (x)
Tuesday, September 12, 2006
party.
pepper puppy poop, pimp pop piper,
pomp pope pupil, pulp paper popper,

prompt pipe party.




perplexing perpendicular planes preparing purple precipitate.

Strummed at 9:49 PM (x)
Monday, September 04, 2006
feel good inc.
i feel good after sailing. incurred after realising not a single radial crossed my bow yesterday. i'll have to try hard to hide my grin today.

the editors cover of gorillaz' feel good inc.

. . .

Old man Rivoli had a wall. This wall ran along a road, and it was crumbling badly. The rains and the road mender's pickax had undermined the base. The stones, having come loose, hardly held together any longer, and cracks were opening up. It was beautiful, however, having the look of an ancient ruin. Some irises crowned the top, while figworts, maidenhair, and houseleeks pushed their way through the fissures. Some poppies, too, paraded their frail bodies between cracks in the rubble-stones. But Pop Rivoli was not sensitive to the poetry of his wall, and, after examining it at length, and jiggling some of its loose stones like teeth in the jaws of a poor man, he finally decided to repair it. He had no need of a mason because he had done every job under the sun during his life. He knew how to mix up the mortar just as he knew how to plane down a board, harden a piece of iron, and square a rafter. Besides, a mason costs a lot without necessarily getting the job done. Pop Rivoli bought some lime and mixed it with a little sand on the road at the base of the wall, and gathered some stones from inside his little yard. Having done all that, he put himself to work.

But hardly had he, one morning, thrown a half-trowel of mortar to fill in the first hole, and wedged the first stone into place, when suddenly he heard a harsh voice call out behind him:
"Hey, Pop, what are you doing there?"

It was the municipal surveyor, making his morning rounds. He carried a game bag on his back, crammed with instruments of geometry, and in his arm he had two levels, painted red and white.

"Ah-hah!" he said after he put his things down on the road bank, "A strict regulation, and you're violating it again. And at your age! Look here - what are you up to?"

Old man Rivoli turned around and said, "Well... I'm fixing my wall - you see how it's coming apart all over..."

"I see it, " replied the surveyor, "but do you have a permit?"

The old man was alarmed and stood up, and now he stood with his hands placed against his stiff back. "A permit, you say? Doesn't my own wall belong to me? Do I need a permit to do as I like with my wall - knock it down or straighten it out if I feel like it?"

"Don't get wise, you old rascal. You know the bottom line."

"Still," Rivoli persisted , "Is the wall mine - yes or no?"

"The wall is yours, but it's on a road. And you don't have the right to repair a wall which is yours, but is on a road."

"But you can plainly see that it can hardly stand up any more," the old man pointed out, "and if I don't fix it, it'll fall down like a dead man."

"That's possible, but it's no concern of mine. I'm writing you a summons, firstly, for repairing your wall without authorization. Secondly, for having, also without authorization, placed materials on a public way. It'll cost you exactly one fifty-ecu piece as a fine, my dear Pop Rivoli. Ha! That'll teach you to use ignorance of the law as an excuse!"

Old Rivoli opened his mouth wide, toothless and black as a furnace. He was so stupefied that he could not utter a single word. His eyes spun around in their sockets like little tops. After a minute he groaned and took his cap off with a gesture of deep discouragement.

"Fifty ecus!" he blurted out, "Lord Jesus, is it possible?"

The municipal surveyor continued: "And that's not all. You must repair your wall."

"No, no. I won't repair it." the old man replied, "It's not worth the fifty ecus. I'll do as I'm supposed to."

"You must fix your wall," the functionary persisted, "because it's in a dangerous state of disrepair, and it'll damage the road when it falls. And remember this well: if your wall comes down, I will write you a new summons, and then you'll need exactly one hundred ecus to pay the fine." Pop Rivoli started to panic. "A hundred ecus! Damn! What is this world coming to?"

"But first, listen up: go and ask, on a stamped document that costs twelve sous, for a permit from the prefect." "I can't read at all," said Rivoli.

"That's not my problem at all. That's it, basically. I'll be keeping an eye on you."

Pop Rivoli went back into his house. He didn't know how to solve his dilemma, but he did know that the administration didn't play any games with the poor folks. If he fixed his wall, it would bring on a fifty-ecu fine. If he didn't fix it, then a hundred ecus. They force him to mend the wall and forbid him to mend it at the same time. In either case, he was at fault and he had to pay. His thoughts were tumbling around inside his brain. His head was aching. Feeling the full extent of his impotence and his despair, he sighed:

"And the deputy from Paris told me just the other day that I'm a sovereign citizen, that nothing can be done without me, and that I'm free to do as I please."

He went to ask the advice of his neighbor who was familiar with the law, being a municipal councilor.

"That's how it is, Pop," he said with an air of importance. "It's got to be done this way. And since you don't know how to write, I'd like to do you a small favor: I'm going to write up your petition."

The letter was sent off. Two months went by. The prefect didn't respond. Prefects never respond. They write poetry, they flirt with the wives of tax collectors, and they may even be off in Paris, where they'll spend their evenings at the Olympia with various ambassadors. Each week, the municipal surveyor stopped in front of Pop Rivoli's house.

"Well... got that permit?"

"Still nothing."

"You should send in a duplicate petition."

The duplicates piled up inside the tomb of the prefecture, along with the original petition on its stamped paper and a lot of undisturbed dust. Every day old man Rivoli spotted the mailman coming by on his route, but never stopping at his gate. The cracks in the wall grew wider and longer, the stones detached themselves and rolled onto the road-bank, the mortar crumbled, and the surface lifted off more and more, because there had been a heavy frost in the meantime. The wounds expanded and gnawed away at the poor, half-crumbled wall with their leprosy.

One night when a strong wind was blowing, it collapsed completely. Pop Rivoli noticed the disaster the next morning at dawn. In its fall, the wall had brought down with it the espalier trees from the yard which produced such beautiful fruit in the autumn. Now nothing protected the poor man's residence: the thieves and the vagabonds could come in at any time to catch the chickens and steal the eggs. And then the terrible municipal surveyor came back:

"Ah! Didn't I tell you this would happen? It's fallen down, for Christ's sake! Oh, well! I'm going to write you a summons." The old man wept:

"Is it my fault? Is it my fault? When you prevented me from fixing it?"

"Go on, go on. After all, it's no big deal. With the fifty ecus of the first fine, you'll only have to cover one hundred fifty ecus plus expenses. You can easily pay that."

But old man Rivoli could not pay that. His entire fortune was inside his yard, and in his two arms which eked a living out of his yard to their continual fatigue. The good-natured fellow became somber. He no longer went outside his house, where he remained seated all day long in front of his cold hearth with his head in his hands. The sheriff had come by twice. He had seized the house, and he had seized the yard. In eight days, everything would be sold at auction. Then one evening, Pop Rivoli left his chair by his cold hearth and went down to the cellar, silently, without a lamp. Groping around with his fingers, among the empty cider pipes, the tools, and the baskets, he found a thick rope which served to crimp the drinking casks. Then he went back up into his yard.

In the middle of the yard was a large walnut that spread its gnarled and sturdy branches above the grass, against a sky that had taken on a pearly sheen from the first rays of moonlight. He fastened the rope to one of the higher branches, after climbing into the tree using a ladder and going farther up from branch to branch. Then he tied the rope around his neck and let himself fall like a stone into the void. The rope made a squeak as it squeezed against the branch, and the branch made a small cracking sound.

The next day, the mailman brought the permit from the prefect. He saw the hanged man swinging at the end of the rope, inside the yard, among the branches of the tree, where two birds were singing at the top of their lungs.

-Octave Mirbeau, The Wall
Translated from the French by Robert Helms

Strummed at 8:18 AM (x)
Sunday, September 03, 2006
a perfect circle
2 recent realisations.

i've realised how much i look forward to saturdays. it's the most jam packed day, what with a 3k run followed by core stability and a 3 hour sail. the best part of it is dozing off from 9 onwards.

i've realised the extent of my social circle.

certainly i used to think i didn't know a lot of people well, and that i hardly had close friends. i guess this has changed in the past year or so, and yet again it seems it's only a small part of me that has matured.

while doing invitations and dealing with vj sailors for the party, i chalked up 14 conversations on msn. all of which were at least 2 full screen pages long.

crazy record.

i'm bemused.
or is it
be
sotted?

clueless and careless.

Strummed at 9:57 AM (x)
the artist.
colin cheng.
3/4.14, 5/6.6.
acsi (ib).
10/09/1989.
sailor.
concluding@gmail.com

his experiences.
intersch 2004
beijing oep 2006
bordeaux 4.7 worlds 2006
los angeles radial worlds 2006
doha asian games 2006
hobart jan 2007
muse concert jan 2007
holland radial worlds 2007

his aspirations.
weight for laser.
breeze. chase it.
cut down on mistakes.
get to know pple better.
understanding. respect.
a cat.
discipline. control.
contact lenses.

his peers.
acsailing
cai
choong
elaine
han sheng
john loh
xin ling

his inspirations.
65daysofstatic
the arcade fire
christopher o'riley
the cinematic orchestra
damien rice
dream theater
elliott smith
explosions in the sky
hiromi
isis
joe satriani
john petrucci
liquid tension experiment
mogwai
mono
my brightest diamond
oceansize
opeth
peter, paul and mary
radiohead
rodrigo y gabriela
sigur rós
simon & garfunkel
thursday
vienna teng
yo la tengo

his work.
July 2005
August 2005
September 2005
October 2005
November 2005
December 2005
January 2006
February 2006
March 2006
April 2006
May 2006
June 2006
July 2006
August 2006
September 2006
October 2006
November 2006
December 2006
January 2007
February 2007
March 2007
April 2007
May 2007
June 2007
July 2007
August 2007
September 2007
October 2007
November 2007
December 2007

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